The main reason that Iago had success on manipulating Othello was based on the social differences of these two characters. Despite this, it appears that Iago has lost. Exeunt OTHELLO, DESDEMONA, and Attendants. to private and personal affairs. Iago tells the lie to Othello about Cassio and Desdemona to and convincing Othello to believe in it. Seeing as he always comes across as helping others and not looking out for himself, this “honest” tactic ironically gains him more trust and respect from others. Cassio says “I never knew / A Florentine more kind, and honest”. His plan is unveiled, betrayed to his victim and power slips through his fingers like fine sand through the sieve of potential greatness. In Othello, the antagonist Iago, plays that role. Honest Iago is an article from The Sewanee Review, Volume 30. For further evidence of Iago's successful persuasive techniques, one might also profitably examine Iago's interactions with Roderigo (see 1.3. Indeed soliloquy play a significant part in Othello, and Shakespeare’s works as a whole; and House of Cards shares this similarity. The Single Best Thing You Can Do For Brand-New Authors, Bellingcat Solves Mysteries You’ve Heard Of, Why We Still need Bookshops and Librairies in the Internet Age. Lawless, Jill. (II, iii, 287-9), which is ironic since Iago has a reputation as an honest man when he deceives routinely, while Cassio is now considered a wild drunk when in reality he is Othello?s dearest ally. Iago and Frank both achieve revenge and attain power by orchestrating from the shadows. ‘Motiveless malignity’ is incorrect, in my estimation. https://www.huffingtonpost.com/2014/02/21/house-of-cards-shakespeare-_n_4823200.html. More fell than anguish, hunger or the sea. Yet, however, he makes no note of anger towards Emilia. A female student declared, “Yes, I believe in such a thing. When he introduces his advice to Cassio with the phrase "As I am an honest man," he is not speaking of honesty in the sense of sincerity but as a man of honest carriage who controls his passions and only speaks after careful consideration. Othello calls him ‘honest Iago’ as early as Act 1 Scene 3, and trusts him throughout the play. Iago is a master of deceiving, during the play people rarely stop to consider the possibility that Iago is deceiving or manipulating them. Schapiro’s assessment, however, is still valid and very interesting. Thou told’st me thou didst hold him in thy hate. It is obvious to all what Othello is doing here. Othello completely regards these feelings as being absolutely genuine. Iago affects the characters’ lives in a negative way by his honest reputation, his ability to “read” people, and how he “proves” to be Loyal. Rodrigo, Othello, Cassio, Desdemona, Emilia, and etc. And he got every one of them to trust him, although he still hadn’t got Emilia into his web fully. Words. This directly contradicts his stated motives; if he truly cares about his wife cheating on him, why does he only seek retribution on Othello and Cassio but not Emilia? One example of this is when Iago discovers Cassio's weakness was alcohol; Cassio leaves Iago on his own, this gives him time to explain to the audience what he is planning to do. "Honest Lago" 337 In the construction of the play two leading motives are em ployed,?Iago's mendacity and Othello's credulity, and these motives are inseparably connected, forming a single stream of influeuce, from which flow all the action and all the passion of the plot. West illustrates his complete lack of remorse: But the play itself shows clearly enough that Iago goes off as he comes on, devoid of conscience, with no remorse. For more information visit www.freewillshakespeare.com. However, unlike me, she rejects the concept of motiveless malignity. For balance, Emilia gives a cynical woman's view of men in Act V. Iago meanwhile watches Cassio, seeking a weakness that he can exploit. to. Othello trusts this “honest” man absolutely, believing him fully. ... Psychoanalysis is an effective technique of exploring repressed or unconscious impulses and anxieties, as well as internal conflict. This paper focuses on Othello, arguing that, Throughout Shakespeare’s play, Othello, the major theme of jealousy is explored in detail through the main characters Othello and Iago's actions. One has to ask, why? Society perceives loyalty as the faithfulness in those in relationships and those that have created a certain bond, and honesty as sincere without deceit or untruthfulness. In William Shakespeare's tragedy, Othello, Shakespeare uses Iago’s verbal irony to imply that reputation derives from self-image issues and a yearning for success, but no one in society ever lives up to the reputation they create for themselves; concurrently, showing that human nature tends to be double-sided. Lyrics by Mike Robertson, Arlen Konopaki & … As I’ve outlined above Iago is a psychopath. This is most ironic, of course, since Iago is the furthest thing from it. The techniques are used to affect the characters in a negative way in favor of the villain. His mocking question; “How am I then a villain”, ironically and contrary to his statements, confirms what we have suspected. IAGO. Lesson Extensions For further evidence of Iago's successful persuasive techniques, one might also profitably examine Iago's interactions with Roderigo (see 1.3. Fiction, however, is not the only thing I can draw comparisons to. Act 3 scene 3: 'Honest, my lord?' He is a villain that knows exactly what he’s doing and doesn’t care. Such a limited view of Iago is an injustice to the complexity of his character. A villain that cares not the evil he wroughts, a villain that remorselessly sows discord and violence with no regret. From behind the scenes, Frank sets characters in motion to achieve his goals but his true intentions are never recognised by them. They have to tell someone. While these motivations are legitimate and logical, Iago almost halfheartedly provides them. Iago cleverly appears to be reluctant to speak ill against others.This is a technique Iago uses so that in Othello’s eyes he is seen to be of good and honest nature, someone who doesn’t speak about other people behind their backs. to. 297-364 ) and with Michael Cassio (see 2.3.239-302 ). The band maintained a rotating membership of musicians and visual artists to ensure no two experiences would be the same. He'll be full of quarrel and offence" Honest Iago (pronounced “yah-go”) formed in San Diego in 2005. Shakespeare is a genius for creating a character so deep and multifaceted in a time that did not know what the word ‘psychopath’ meant. This is why Iago is so fascinating; he’s the type of villain that’s so utterly foreign and alien to most of us. American Imago, 604, 481–499. Shakespeare uses irony continuously throughout the play when it comes to Iago. While writing this analysis my mind kept drawing parallels between Iago and characters in other works of fiction. Iago believes that women are controlled by their sexual desire, and that in her insatiable appetite Desdemona will surely grow tired of Othello’s sexual prowess (who being black, is surely inferior to whites). Othello's jealousy is not a constructive motive, for it Iago is most honest (II.iii.7) Othello, unaware of Iago's evil plans, comments on his honesty. One student wrote that although we may not see it explicitly expressed in the play, Iago’s malignity had to arise, he believed, “out of feelings of inferiority.” Another asserted, “Just because we cannot see the motive does not mean a motive does not exist.” And finally, one wrote, “We, as humans, are all complex, unique, and sometimes imbalanced individuals. Iago suspects that Othello and Cassio have slept with his wife, and presents these motivations as the ones that empower him to destroy them. Come, Desdemona: I have but an hour Iago presents his hatred for Othello and Cassio because of him being passed over for a promotion as his motivations for the vengeance he wishes to wrought upon the two. In the tragedy Othello, Shakespeare focuses on how jealousy affects Othello and the other major characters to result ultimately in their destruction. Withholding information. William Shakespeare, being born on April 23, 1563, was subject to an early renaissance education. Iago is the play's main antagonist, and Othello's standard-bearer.He is the husband of Emilia, who is in turn the attendant of Othello's wife Desdemona.Iago hates Othello and devises a plan to destroy him by making him believe that his wife is having an affair with his lieutenant, Michael Cassio. Therefore it also makes Othello not suspect Iago of any dishonest behaviour. Michael, good night: to-morrow with your earliest : Let me have speech with you. The very first lines of Othello contain just such prodding on the part of Roderigo, Iago’s gull. To me, some people operate under their own set of rules which the rest of us just can’t understand.”. Every character but one is tainted, and even the innocent Desdemona falls a vic- tim to the poisonous air she is compelled to breathe. Othello, and other villains that attempt to rationalize their actions, are caught up in their justifications. When faced with this accusation, Iago … William Shakespeare’s Othello uses different and unique techniques in his language to express the nature of evil throughout the play. The reason why he is so alien to most of us, so different in how he thinks and acts is because he thinks differently. Iago's supposed honesty is ironically, also a result of his own lying, … What are his motivations? There is much sub context in Othello on gender representation and conflict, but that too is something for another time. Iago affects the characters’ lives in a negative way by his honest reputation, his ability to “read” people, and how he “proves” to be Loyal. Iago does provide several motivations for his actions throughout the play: And it is thought abroad that ’twixt my sheets, He’s done my office. The relationships that most interestingly relate to the homosocial continuum are Desdemona and Emilia, Iago and Roderigo, and Iago and Othello, much. View the profiles of people named Honest Iago. Underwood is just as ruthlessly driven and manipulative as Iago; perhaps more so. A viewer of House of Cards doesn’t leave without, frankly, being shocked by how manipulative Frank is and how weak and defenseless the other characters are in his hands. They believe what they’re saying and thus act with the vigor of a man on a righteous quest. An antagonist that justifies their terrible actions with ‘the Greater Good’ or some other inconsequential or weak rationalization is one we have all seen before. If you wish to divide the play into proactor and reactor; Iago is the one who instigates most of the interactions, conflict and action. As therealrivke states; both Underwood and Iago are master manipulators that skillfully mold their targets and victims. Once the chaos has started, it continues a chain that continues along until the very end where the balance finally restores itself as it would in human nature. Schapiro states that it’s incorrect to state Iago does not have a motive, or that his motive is meaningless. He claims that this cuckolding incites him to seek bloody reprisal against Othello and Cassio. I wanted to examine his motivations; why he did what he did. "Honest Iago" 343 Nothing sweet and wholesome can live here. And yet he did it anyway. It’s obvious who the real star of Othello is, and it isn’t the brave protagonist; it’s our favorite antagonist. He lies down to his heart. When this advice is free I give, and honest, Probal to thinking, and indeed the course, To win the Moor again? He must have expected the possibility of being captured, of being revealed as the mastermind; of being guiltily caught red handed with the bloodstained puppets hanging from his fingers. My friend, . This technique works so effectively as a way to assert power over others because it gives the perception that Othello has come to his conclusions about Cassio by himself, when in fact Iago has planted these ideas in his head. Ironically Iago is repeatedly described as honest - this shows that Iago is such a skilled manipulator: Cassio says that he "never knew a Florentine more kind and honest" Desdemona declares "O, that's an honest fellow" He persuades Othello that his "honesty and love doth mince this matter" when the opposite is … The psychopath is asocial; war is asocial; And more important to this analysis, his lack of motives: As Coleridge said, Iago is motiveless. His techniques were that […] Although the influence of the miracle plays and the later morality plays with their type-characters still lingered in some Elizabethan drama, the English Renaissance is widely recognized as a period of great interest in that branch of science which has become known in modern times as psychology. These, The Nature Of Evil In Othello Key quotation (Aside) O, you are well tuned now!But I'll set down the pegs that make this music, As honest as I am. In reality he feels betrayed, his plot to kill Desdemona is born out of intense jealousy and a desire for vengeance for her (perceived) betrayal. Both Trump and Iago appeal to sexism and racism as scapegoats for their insecurities. Moreover, at the very beginning of the play Iago presents his anger at being passed over a promotion to lieutenant as the cause of his hate for the two. Just check the hallways in any middle school or high school.” Another student wrote about coming out of a Wendy’s restaurant to find “a punky guy” sitting in the car parked next to hers, “just spitting over and over into my car. “Honest Iago” is a motif I’ve made an attempt to bring up many times in this article because I wanted to really illustrate the dichotomy of Iago’s outward and inward characters. Not so The left side of the image shows Iagos real personality, while the right side shows how everyone else sees Iago Effect of their actions on themselves At the end of Othello, Iagos lies catch up to him. Othello simply states; "Iago is most honest." Dramatists were particularly intrigued by the more bizarre working of the human mind, often creating characters whose personalities could form the subjects of contemporary psychological case studies. Iago’s murder of Emilia could also stem from the general hatred of women that he displays. Iago is a unrepentant villain. This is a villain that, although how reviling it may be at some times, we can empathize with. Schapiro, B.A. Every character but one is tainted, and even the innocent Desdemona falls a vic- tim to the poisonous air she is compelled to breathe. At one point in the play he even says this himself “I am a honest man”. His plot is revealed, and bound, unrepentant and stubbornly silent; he is faced with the future of hellish torment and punishment. Implication without direct statement. Othello (1604) is a text that forces us to consider the nature and problem of evil, as well as the difficulty of acknowledging our own destructiveness. Furthermore, Shakespeare has cleverly sprinkled nuggets of insight into Iago in this soliloquy. He methodically ensnares the naive moor Othello, and insidiously orchestrates his downfall. “Analysis | Fake News Might Be Harder To Spot Than Most People Believe”. Ironically, this point may seem familiar to you: It is the cause, it is the cause, my soul: Let me not name it to you, you chaste stars. Even in Act 5 Scene 2, after he has killed Desdemona and when Emilia stoutly defends Desdemona’s innocence, he still maintains he is right because Iago said so: He acts with impunity and an disregard for the risks associated with his plot. A.C. Bradley consider that the tragedy is “the undoing of the noble Moor by the devilish cunning of Iago,” (1963[1952], p. 137). Shakespeare’s Othello – Iago’s manipulation skills The particular blend of character traits that enable Iago’s manipulation of Othello Although the play is named Othello, and although this character’s position and deeds are the center of the story, it is the character of Iago … He isn’t concerned with justifying his opinion through motives because they are irrelevant to him. Despise me if I do not: three great ones of the city. Good night. Iago would kill a thousand men, women and children and not feel the need for a motive, for a reason. The object poisons sight; Iago is the manipulative and omniscient puppet master of Othello that seemingly controls everything from behind the scenes. https://www.theodysseyonline.com/trump-will-leave-everyone-behind-parallels-between-donald-trump-iago-shakespeares-othello. Iago speaks bluntly, disparaging women, and Desdemona, along with everyone else, makes allowances for the rough speech of "honest" Iago. This soliloquy is perhaps the most powerful in the play because it carries so much depth and subtext. They seem unconvincing, like “afterthoughts”. Now most of the people he did this to it worked on. This is most ironic, of course, since Iago is the furthest thing from it. I noticed a real difference from previous years in the class discussion of “motiveless malignity”: students embraced it far more readily and unquestioningly. Othello's jealousy is not a constructive motive, for it Where does it end? That she may make, unmake, do what she list, With his weak function. He killed Othello, slandered Desdemona and injured Cassio for the love of destruction. One of Iago's techniques is to find the characters' weaknesses and use it against them. A very important technique that Iago uses is that he makes Othello trust him, if he didn’t then Iago’s scheming and plotting would be a complete waste of time and result in failure. Othello Shakespeare Techniques Symbolism Writing Style Irony Symbolism Writing Style Shakespeare uses quite a lot of irony in Othello, which is one of the reasons Othello works. Through their exchange Iago emphasises the extent of his loyalty and love for Othello. Why, then, I think Cassio's an honest man. Iago Bitarishvili needs little introduction to those who know Georgian Wine, yet still it's worthwhile to do so. Iago knows Othello’s weakness and tells it to the audience because it is a major factor in the success of his plan. On a continuum, it is impossible to distinguish. Once Desdemona and Emilia exit, however, Iago is confronted by Roderigo, who lambastes Iago for not only taking all his money but also getting him no closer to Desdemona. Make note of the conversation between Iago and Roderigo I quoted above. Each plot point is spiraled further into tragedy due to the nature of Iago and his manipulative language, drama Othello, the battle between good and evil creates the basic root of human nature as a whole. Eve Sedgwick coined the idea of the “Homosocial continuum.” Her argument involves gender, class, and hierarchical relationships. And what’s he then that says I play the villain. Thoughout the play Iago is called “honest Iago”. In his conversations with her he reveals none of his suspicions and indeed we as the audience get the impression that Emilia is of little concern to him. Iago’s character is consumed with hatred and envy. However, the assumption that Iago’s motivations can be compared to Othello’s or other antagonists is not only false, but misleading. And she for him pleads strongly to the Moor. Fake news is a real, recurrent and important issue in today’s hyper-saturated media environment. honest, honest Iago.” [Act V, Scene 2, Line 147] Cassio: “I never knew a Florentine more kind and honest.” [Act III, Scene 1, Line 37] Iago builds his reputation; of this Iago says “Reputation is an idle and most false imposition, oft got without merit and lost without deserving.” [Act II, Scene III, Line 244]Throughout the story he is called “Honest Iago.” Iago is angered that his suit for lieutenant, which was supported by “three great ones of the city” was rejected in favor of Cassio, who he sees as nothing more than a theorist, someone with no experience in war and less skill than a spinster; while Iago remains as Othello’s ensign, a position he views as useless. Othello and others in the play constantly refer to him as "honest Iago." He lies to th' heart. EMILIA. The techniques are used to affect the characters in a negative way in favor of the villain. Such as Cassio calling him “Honest Iago” and when Cassio got in that fight with Rodrigo, he believed that Iago was the only good, honest man on his side, even though he was the one who set him up. Iago deceives Othello, who trusts him the most throughout the story, often referring to Iago as “honest Iago” (I. i. 1.1 Iago says "An old black ram//Is tupping your white ewe" Act1.1 1.1.1 use of color and juxtaposition to emphasis the indignity of the situation 1.2 Iago says "your daughter covered with a Barbary horse" Act1.1 It is not sufficient to simply drape Iago in allegorical trappings and proclaim him Mister Evil or a Machiavel or a Vice. and Honesty in Shakespeare’s Othello In personal suit to make me his lieutenant. More than twice as many students as not wrote that they believed in such a phenomenon. And with the growing instability in the world; famines in South Sudan and Somalia, violence in Syria and growing religious intolerance around the world in response to abhorrent terrorist attacks; perhaps we should be vigilant of the next megalomaniac out to destroy something. My friend, your husband, the honest, honest Iago. She still had suspicions about him. You see, Iago doesn’t plot to kill Othello, Desdemona and Cassio in one fell sweep because he truly thinks he’s being cuckolded, or because his skills have been overlooked; Iago commits all this violence, and destruction because he wants to. She’s framed as fruitful. In fact, seeing as Spacey’s career started with stage acting in Shakespeare’s Richard III, it is not surprising that House of Cards draws much from Shakespeare’s work. . When Iago pretends to help Cassio, he comments; "I never knew a Florentine more kind and honest", [Act III, scene I]. “9 Things ‘House Of Cards’ Took From Shakespeare”. Why sow such destruction, such chaos, such misery? [26] By debitor and creditor; this counter-caster. In Othello, the antagonist Iago, plays that role. Iago is dishonest because he lies without regret, and yet he’s honest because he’s perhaps the only character who is honest to himself. Iago doesn’t really believe in these motivations. And I, God bless the mark, his Moorship’s ancient. Iago first comforts Cassio asserting that, ?Reputation is an idle and most false imposition, oft got without merit and lost without deserving? What would a world with rampant mistruth and people unable to tell fact from fiction on important issues look like? He, who cannot muster guilt or even the slightest doubt in the morality of his plots, is someone we cannot recognize, we cannot relate with. With new ideals, such as humanism, spreading throughout Europe during this time it was inevitable that Shakespeare’s writings would be influenced by this. “Kevin Spacey Shines As Shakespeare’s ‘Richard III’”. These men have also duped almost everyone around them and, in Iago’s case this has devastating consequences. We know him better than his most trusted confidantes (his wife and Doug). Honest Iago, My Desdemona must I leave to thee: I prithee, let thy wife attend on her: And bring them after in the best advantage. In Act 2, Scene 1 of Othello, Iago formulates his plan to drive Othello mad. When they are, he admits to wanting that certain role or goal. His techniques were that […] Where did it begin? Othello: Discuss The Techniques Iago Used To Manipulate Others Essay, Research Paper Othello: Discuss the Techniques Iago Used To Manipulate Others Through out the drama of Othello Iago used many techniques to acquire what he wanted and one manner or another he some how all most ever got what he wanted. Iago, most of all is portrayed as the “villain” or “protagonist in the play. Mere prattle without practice. Iago and Frank are master sculptors, molding and bending their victims to their will like putty. While at first, order exists in the lives of the Othello and Iago, through dramatic events and manipulation, the balance becomes unstable and starts to shift into chaos. Othello is full of betrayals and broken bonds from almost all of the relationships that Shakespeare’s characters form in the play. “All you have to do is watch the 6 o’clock news every night. Many expressed the view that Iago represented the reality of evil, an evil all the more powerful and terrifying because it was not based on reasons and could not be understood … This past fall, I asked my students to respond in writing to the issue of motiveless malignity. Is Othello, our valiant and brave titular protagonist, nothing more than another transparent villain? One of the themes is extreme jealousy can make a person act like a monster. If there was ever a victor in this bloody avocation they play, it would only be honest, brave and loyal Iago. Iago is honest with many people during the book but makes it seem like he knows more than he is really telling. These similarities are unlikely to be coincidental. Iago is a devil bent on destroying the lives of everyone around him. Iago has a reputation for honesty, for reliability and direct speaking. Specifically, there is the famous reference constantly repeated by Othello: “honest Iago”. A storm has dispersed the Venetian fleet so that Cassio arrives first, anxious for Othello's safety. For ’tis most easy, In any honest suit. Iago knows that the allegations about adultery between Othello and Emilia may be untrue, and yet he acts as if they are certain “I know not if’t be true, But I, for mere suspicion in that kind, Will do as if for surety.” This hints that Iago does not really care that Othello is cuckolding him, but rather that he uses it as a convenient argument. He has succeeded in his goal; not to elevate his position as he had once wished, but to utterly and completely destroy his hated master. Moreover, “Even as her appetite shall play the god With his weak function.”, betrays some of his prejudice and bias on women. Whip me such honest knaves. I digress, but that is a thought provoking question for another time. Through the use of dramatic irony and characterization Shakespeare creates Iago, the most sinister character in all of literature. “The Moor is of a free and open nature, That thinks men honest that but seem to be so,”Othello thinks that all men are honest and therefore he will believe Iago because Iago has convinced Othello … Off-capped to him; and by the faith of man. I know not if’t be true, Hath leaped into my seat, the thought whereof. At this point, it appears more that Iago is desperately searching for an excuse, a reason to hate Cassio. Join Facebook to connect with Honest Iago and others you may know. Once more, if Othello feels this way, then Cassio, who admires Othello and follows his leadership, will also believe that Iago is an honest man. This really is illustrated most clearly when Iago mentions his “suspicions” of Emilia cheating on him in his soliloquy. His motives-or excuses come more as afterthoughts, not as stimuli toward the heinous actions he perpetrates. Iago is constantly referred to as “honest Iago” and when a character is talked about in a positive light, they are described as “honest.” This repetition makes us never forget that honesty is an important quality and is held in high regard. For an excuse, a reason to hate Cassio understand. ” complex characters in motion to his! As well as internal conflict but an hour view the profiles of people who do things! Their victims to their will like putty lead the characters most honest iago technique the. Barely a blip on the part of Roderigo, Iago is referred to as over. 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