The keys are coral, and the sound is sublime – one of the greatest albums ever from pianist Walter Bishop Jr, and proof that he can really stretch out, given the right setting! He continued performing into the 1990s. I highly recommend this wonderful introduction to the Jazz piano world of Walter Bishop Jr. P.S. 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The cause was a … 7 (1961), Dizzy Gillespie & the Double Six of Paris, Bird: The Original Recordings of Charlie Parker, New Edition: Rare Radio Recordings 1958-1962, Piano (Electric), Fender Rhodes, Composer, Primary Artist, Composer, Arranger, Piano, Leader, Primary Artist, Piano, Organ, Keyboards, Composer, Primary Artist, Arranger, Piano, Composer. Coral Keys is an album led by pianist Walter Bishop Jr. which was recorded in 1971 and originally released on the Black Jazz label. 2, Chronicle: The Complete Prestige Recordings (1951-1956), The Complete Dinah Washington on Mercury, Vol. He was the son of composer Walter Bishop, Sr.. Although pianist Walter Bishop had played earlier with Charlie Parker and was quite active throughout the 1950s, this Black Lion session was his first as a leader. Blue Farouq 02. All rights reserved. Piano – Walter Bishop Jr.* Producer – Tetsuo Hara; Supervised By – Toshiya Taenaka; Notes Recorded on June 14, 1993 in New York City. Piano – Walter Bishop Jr.* Notes Recorded at Bell Sound Studios, New York City in March 14, 1961. Walter Bishop, Jr. from New York, NY Apr il 10, 1927 - Jan uary 24, 1998 (age 70) Biography Walter Bishop, Jr. was a valuable utility pianist on many a modern jazz session during the bebop era, remaining an active performer until his death at the age of 70 in early 1998. Complete your Walter Bishop Jr.* collection. Journalists and record companies began using the term in the mid-1950s to describe a new current within jazz which incorporated influences from rhythm and blues, gospel music, and blues, especially in saxophone and piano playing. 1 - 1928-1934, Yesterdays: The Jerome Kern Songbook - Instrumentals, The Jazz Giants Play George Gershwin: 'S Wonderful, Let's Dance: The Best of Ballroom Swing, Lindy, Jitterbug & Jive, The Complete Legendary Rockland Palace Concert 1952, Best of Jazz Trumpet [Celebration of Blues], Best of Jazz Piano [Celebration of Blues], South of the Border: The Verve Latin-Jazz Sides, Confirmation: The Best of the Verve Years, The Columbia Years (1943-1952): The Complete Recordings, Five Guys Named Moe: Original Decca Recordings, Vol. The son of composer… Walter Bishop – piano . In high school his friends included Kenny Drew, Sonny Rollins, and Art Taylor. After studying at The Juilliard School with Hall Overton in the late 1960s, he taught music theory at colleges in Los Angeles in the 1970s. The first release on Black Jazz was by pianist and label producer Gene Russell; for the label's second release, Russell chose another piano man of impeccable taste, Walter Bishop, Jr. Walter Bishop, Jr. was a valuable utility pianist on many a modern jazz session during the bebop era, remaining an active performer until his death at the age of 70 in early 1998. He had been one of the premier pianists in jazz for several decades, as his many colleagues knew so well. The son of composer…, Feeling Good: Funk, Soul and Deep Jazz Gems - The Supreme Sound of Producer Bob Shad, Blue Note: Uncompromising Expression - The Singles Collection, Honor! Fringe Theme Piano Sheet Music. He also wrote a book, A Study in Fourths, about jazz improvisation based on cycles of fourths and fifths. Deep Groove on both sides. In 1983 he began teaching at The Hartt School of the University of Hartford. Walter Bishop, Jr. was an American bop and hard bop jazz pianist. Bishop Jr.'s piano playing was central to the label's sound and ethos, and this album was the label's second-ever release and established the spirit of Black Jazz from the beginning. By the time this recording was originally released in 1961, pianist Walter Bishop, Jr. had spent so much time in other people's bands that it seemed the sideman stigmata would never heal. Discover releases, reviews, credits, songs, and more about Walter Bishop Jr.* - Coral Keys at Discogs. Reset your passwordClick the eye to show your password. Walter Bishop, 70, Jazz Pianist. Piano, Written-By, Arranged By – Walter Bishop, Jr. Producer, Engineer [Recording] – Gene Russell Soprano Saxophone, Flute – Harold Vic * (tracks: A1 to A4) A Celebration of the African American Cultural Legacy, Life in Time: The Roy Haynes Story [Bonus DVD], Kenny Dorham Quintet/Jackie McLean: Complete Recordings, The Verve/Philips Dizzy Gillespie Small Group Sessions, The Quintessence New York - Los Angeles - Toronto, Vol. A jaunty "Sweet and Lovely" starts the CD with gusto, followed by an intense, rather brisk samba treatment of "Never Let Me Go." Sample imprinted on center ring of CD. Please Sign Up or Sign In to send your inquiry. He was 70 and lived in Manhattan. They Didn't Believe Me Personnel Charlie Rouse - tenor sax Blue Mitchell - trumpet Walter Bishop - piano Earl May - bass Art Taylor - drums In the early 1960s he also led his own trio with Jimmy Garrison and G. T. Hogan. Wierdo 05. Learn more. Since the opening theme is really short, I had to improvise variations to make a full cover. All About Jazz musician pages are maintained by musicians, publicists and trusted members like you. Coral Keys (1971) Keeper of My Soul (1973) Valley Land (1974) Keeper of My Soul is an album led by pianist Walter Bishop Jr. which was recorded in 1973 and originally released on the Black Jazz label. Bishop Had Led Earlier Dates with Such Legends as Bassist Jimmy Garrison (John Coltrane) and Drummer Jimmy Cobb (Miles Davis) By BEN RATLIFF NEW YORK -- Walter Bishop Jr., a jazz pianist who recorded with Charlie Parker, Miles Davis and others, died on Saturday at the Veterans Affairs Medical Center in Manhattan. Pretty Strange 06. This post was originally pubslished on published on: Nov 9, 2011 @ 15:31 but is being bumped here for a fresh, new series of Black Jazz enthusiasm. ''204'' 03. Walter Bishop Jr. (October 4, 1927 – January 24, 1998) was an American jazz pianist. He began his musical career after World War II, and played and recorded with Art Blakey, Charlie Parker, Oscar Pettiford, Kai Winding, Miles Davis, Jackie McLean, Curtis Fuller, Terry Gibbs, Clark Terry, Blue Mitchell, and Supersax. Find articles, news, musician pages, and more! Teamed with bassist Jimmy Garrison in his pre-Coltrane period (Garrison's bowed solos sound a bit like Paul Chambers) and drummer G.T. Walter Bishop, Jr. was a valuable utility pianist on many a modern jazz session during the bebop era, remaining an active performer until his death at the age of 70 in early 1998. Hard bop is a subgenre of jazz that is an extension of bebop (or "bop") music. Walter Bishop Jr. [Walter Bishop; Ibrahim ibn Ismail] (born October 4, 1927, NYC; died January 24, 1998, NYC; aged 70), piano. * Venus (J) TKCV-79017 Walter Bishop Jr. Trio - Speak Low Again * Venus (J) TKCV-35042 Various Artists - Star Closed Lovers - Romantic Jazz Piano Solo * Venus (J) TKCV-35033, TKCV-35110, TKCV-35365, VHCD-4022, VHCD-78132 Walter Bishop Jr. Trio - Speak Low Again * Venus (J) TKCV-35050 Various Artists - I'm Getting Sentimental Over You - Swingin' Standards Piano Here is the original text, which I will reprint in its entirety to save me some time: I always though Fringe’s main theme was beautiful, and I wanted to play it on piano since the first time I heard the opening song. News Walter Bishop, Jr. was an American bop and hard bop jazz pianist. But Bishop was often overlooked by the jazz … In high school his friends included Kenny Drew, Sonny Rollins, and Art Taylor. Barcode and Other Identifiers Other (Label A): JTS-002-A M9OY-5599; Other (Label B): JTS-002-B M9OY-5600; Other Versions (5 of 16) View All. You should hear his block chords solo on "Head Shakin' " from … 2: 1947-1954, The Very Best of the Cole Porter Songbook, The Best of Ella Fitzgerald [Master Classics], Lone Hill Jazz Collection: Jazz Greats, Vol. "It was a dark day for jazz in early 1998 when a fatal heart attack cut down 70-year-old pianist Walter Bishop, Jr. But while much of Russell's record consisted of songs composed by others, Bishop… The son of composer… One moment, you will be redirected shortly. Walter Bishop, Jr. was a valuable utility pianist on many a modern jazz session during the bebop era, remaining an active performer until his death at the age of 70 in early 1998. The Fringe theme sheet music available on this page is based on this cover. Piano, Written-By, Arranged By – Walter Bishop, Jr. Producer, Engineer [Recording] – Gene Russell Soprano Saxophone, Flute – Harold Vic * (tracks: 1 to 4) Read Full Biography, Walter Bishop, Jr. was a valuable utility pianist on many a modern jazz session during the bebop era, remaining an active performer until his death at the age of 70 in early 1998. Membership has its privileges. 2: Return to the Tough Side, All or Nothing at All: 25 Early Hits 1939-47, Ain't It Nice: The Recordings Of Alex Hill, Vol. The first album as a leader would of course be an occasion of incredible pressure, especially for an artist such as this one. We're partnering on a handful of color exclusives for some of these albums, and the first is Walter Bishop Jr.'s Coral Keys. Walter Bishop, Jr. was a valuable utility pianist on many a modern jazz session during the bebop era, remaining an active performer until his death at the age of 70 in early 1998. This 1991 session is one of Walter Bishop, Jr.'s final dates as a leader prior to his death in 1998 and it is well worth acquiring. Pianist Walter Bishop, Jr.’s Coral Keys Was the Second Album Released by Black Jazz (the First, Gene Russell’s New Direction, Will Be Released a Day Later on the First RSD Drop August 29). He was the son of composer Walter Bishop, Sr.. Overview ↓ Biography ↓ Discography ↓ Songs ↓ Tell us why you would like to improve the Walter Bishop, Jr. musician page. The son of composer… Read Full Biography. Interested? Our weekly newsletter highlights our top stories and includes your local jazz events calendar. Walter Bishop, Jr. Walter Bishop, Jr. was a valuable utility pianist on many a modern jazz session during the bebop era, remaining an active performer until his death at the age of 70 in early 1998. 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